Kindle or Kindling?

My friend Brad over at IndyBookMan recently posted his misgivings about Kindle and the whole E-Book idea. I was about to leave a comment, but the more I thought about it, I realized that my thoughts would be too long for a comment. So here’s my hat being thrown into the ring:

In a nutshell, I don’t like it, I don’t want it. Kindle can bite my bytes.

When I’m sitting at my writing desk, surrounded by stacks and stacks of books, I can feel their presence — hear the whispers of hundreds of stories. They are my friends, my comrades, my muses. I could have all the “information” contained in those books in a little chuck of plastic and metal on my desk, but I would feel nothing from it. No matter what is stored in it, it’s still just a lifeless chunk of technology — without a soul. Books, actual books that I can feel and smell, have souls. Books that can rest on my chest as I fall asleep; books that I can read in the bath and drip water on their pages; books that I can shield the sun with as I lay on my back reading in the tall grass; books that I can underline, scribble in, dog-ear, press flowers in, tuck feathers in between pages that mention that bird, and throw across the room when they piss me off.

And every book on my shelf has a story to tell, beyond the story that’s printed on its pages. The story of where I got it. Some were gifts, some from trades with other writers, some found at quirky little book stores in towns I was passing through, some discovered at a Salvation Army hidden between romance novels and Christian self-help drek.

My most treasured came directly from the author and are inscribed personally. Jim Harrison wrote “to a fellow poet” and drew a one-eyed self-portrait; Peter Matthiessen honored me with “Namaste'” and “keep up your good work”; Bill Heyen said “prune for shade” and “let’s keep on keeping on despite the diminishments we feel”; Country Joe McDonald, John Sinclair and Ed Sanders all signed “with love” — Joe throwing in “peace” along with a peace sign; and Al Hellus, in the last thing he ever wrote to me, “friend and fellow traveler.” How could these fellow travelers and mentors sign their folder stored in my E-Book reader?

Which gets me to my biggest isssue with all of this. It seems to be just one more way to de-humanize and disembody the art of writing. To further remove the reader from the writer, so that the writer becomes a function of upload and the reader a function of download. That behind the beauty and wonder of the word is nothing more than strings of 1’s and 0’s, pulses of electricity on a curcuit board; rather than a living, struggling, dreaming and feeling person.

And when times are tough and it gets really cold here in this mountain cabin; a fire of these books would keep me warm and give me light to write by. No Kindle can do that.

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Hotshot’s Boy Done Grow’d Up: The Panderers, "Hotshot’s Boy" EP

You can hear the roots buried firmly in this coal-miner/tobacco farmer’s son as Scott Wynn and the Panderers hit you fast and strong with the five songs that comprise Hotshot’s Boy. The liner notes explain that Wynn’s “one-eyed, 8th-grade educated” father was called Hotshot. I can imagine the wiry, hard-working men of the Appalachians, calling out with coal-dust voices, “Hey, Hotshot’s Boy, tell yer daddy the next round’s on him and it’s Jack’s ‘r better to open!”

The opening track, “Come On,” is irresistible. You can’t not move and groove and bounce and flounce and smile all the while listening to it. Tracks two and four, “Dig” and “Shane” seem to take you down somewhere darker; perhaps those coal mines, perhaps the soul of a man with hands hardened by hammer and plow, heart hardened by – what else? – a woman. My favorite track, partly because it’s just a bad-ass tune and partly for personal reasons (i.e. a woman), is the hump-track, “Montana.” The closer, “Mirrorball,” feels like more of an afterthought or an inside joke. It’s not a bad song, it just doesn’t seem to mesh with the rest of the disc; though I admit, it’s growing on me, especially the haunting, string-like, synth-work.

All-in-all, this quick intro. to The Panderers goes on my top-shelf for it’s spare, raw, tough, stripped down playing, and the ambiguous and fresh lyrics. Grab your copy soon, I guarantee it will hold its place on your top shelf, right between The Raconteurs and Hank Williams.

Check out The Panderers here.

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Murder and Coffee

My first day back at the Grizfork — back to daily work on the new novel. The light from the woodstove flashes on bookshelves and sleeping cats. For some reason I woke up this morning thinking of the chapter of the cutting of the tree. Which won’t mean anything to you until you have a chance to read the book, which won’t happen till I finish the book. But it’s not a happy chapter, at any rate.

A strange place to begin my first day back. Maybe it’s this cold that’s torn my throat to shreds, or the exhaustion of driving across the country; but I awoke thinking about that tree and that chainsaw. Sitting at this old wooden table with the sound of the fire crackling, with deer and grouse stalking past the window, I just killed off two of my characters before finishing my second cup of coffee.

Damn good coffee, though, so I’ll keep writing.

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