More Acclaim for These Creatures of a Day

It’s a magical feeling to have some of your absolute favorite writers blurb your work! Please click on the links on their names and check out their books. You’ll be glad you did.


“Marc Beaudin brings a practice of acute attention to our world, fueled by a poet’s diet of strong coffee, classic jazz, last call, wild huckleberries, and dreams of potato soup. The best poems in These Creatures of a Day vault over the “fear-white fence” of modern America and help us do what needs doing: wake up.”
Joseph Bednarik, editor of Jim Harrison: Complete Poems

“Marc Beaudin’s new book brought tears in two poems flat. It happened when an evocation of the Yellowstone River immersed me in so much beauty even as the light failed and wind turned frigid that, when the poet found a heart-shaped stone, opened his coat and shirt, and held the stone to his bare chest as he vowed to spend what life he has left breathing in time to his home river’s stones, I found myself on my home river doing the same. But Beaudin doesn’t summon the same emotions twice in succession. His signature move is to create narrative pull via total unpredictability, following hilarity with nature’s or culture’s rape, or deeply grounded knowledge with the blithely surreal, or laugh-out-loud stanzas with heart crushers that blindside at the same time they mesmerize. In defiance of the darkness of our time, These Creatures of a Day left me feeling that a shock of hope could smite me from any direction around life’s next blind corner.”
David James Duncan, author of The River Why, The Brothers K, and Sun House

“Relationships with all things illuminate These Creatures of a Day. Sit with this book a while. Beaudin is the rare poet, a peculiar visionary, who can extract both humility and hilarity from the everyday. In this wonder collection, he casts out a lifeline to the world.”
Debra Magpie Earling, author of Perma Red and The Lost Journals of Sacajewea

“Beaudin is a poet existing on the knife-edge of the sacred and the profane. These poems rise up out of the natural world, the wings and the sky and the brittle trees. Beaudin’s eye takes it all in, honors this world as it is, while at the same time his soul transforms it. And in that transformation he consistently finds, and offers up, a type of joy.”
Nick Flynn, author of Low: Poems, This Is the Night Our House Will Catch Fire and Another Bullshit Night in Suck City

These Creatures of a Day is a talisman against the mundane. It is a spell book for enchanting wild people, places, and beings with understanding, attention, reverence. These poems stick in the heart the way a laugh escapes the throat—energetically. Marc Beaudin’s work is as brilliant as it is important. He is one of our finest nature poets, and his writing—pure, authentic, and timely—is a call to humanity, a nod to ancestors, and a pure joy to read. Add this collection to your bedstand, your bookcase, and your backpack. Carry Beaudin along with you as a nostrum, a paper folded bird of hope for a planet seeking these songs.”
CMarie Fuhrman, author of Camped Beneath the Dam: Poems, and co-editor of Cascadia Field Guide: Art, Ecology, and Poetry and Native Voices: Indigenous Poetry, Craft, and Conversations

“In his poem ‘Depot Ghazal,’ Marc Beaudin writes, ‘If I hold this pen long enough, stare continually / out this window, eventually something’s got to give.’ Between the covers of this lyrical collection, we’ve got the proof of a hard-won exploration, the footprints of a guy who’s been to the edge and made it back more or less in one piece, the precise, closely observed reflections of a human heart, as Faulkner said, in conflict with itself. As far as I’m concerned, the more people who read this one, the better.”
Allen Morris Jones, author of Mumblecusser: and Other Poems, Last Year’s River and A Quiet Place of Violence: Hunting and Ethics in the Missouri River Breaks

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These Creatures of a Day

Cover for These Creatures of a Day, poetry by Marc Beaudin

A finalist for the High Plains International Book Award in Poetry.

These Creatures of a Day is a talisman against the mundane. It is a spell book for enchanting wild people, places, and beings with understanding, attention, reverence. Beaudin is one of our finest nature poets, and his writing—pure, authentic, and timely—is a call to humanity, a nod to ancestors, and a pure joy to read.” —CMarie Fuhrman, author of Salmon Weather: Writing from the Land of No Return

Published in April, 2024 by Foothills Publishing, this collection of 56 new poems from the author of Life List and Vagabond Song: Neo-Haibun from the Peregrine Journals, is “proof of a hard-won exploration, the footprints of a guy who’s been to the edge and made it back more or less in one piece, the precise, closely observed reflections of a human heart, as Faulkner said, in conflict with itself” (Allen Morris Jones, author of Mumblecusser and Other Poems).

These Creatures of a Day is a moving collection that captures the essence of our multifaceted human experience. What Beaudin does best is grab the reader’s attention with a string of what seem to be ordinary occurrences, and then he flips them on their head. You can’t unsee the images, you can’t look away, and you can’t go back to thinking about the object or place or person in the same way again.” –Montana Quarterly

“Following the Music” interview in The Livingston Enterprise

Book launch reading with special guest Henrietta Goodman

[More nice things nice people are saying about this book.]

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Born with Teeth director’s note

Two actors performing a scene from Born with Teeth

WILL: “It’s impossible to insult you. You lap it all up like cream.”

Director’s note from the Bozeman Actors Theatre production of Born with Teeth by Liz Duffy Adams.

SHAKESPEARE: “I just want to write.”
MARLOWE: “No one gets to just write. You’re saying things.”

The play you’re about to participate in (for a theatre audience must be active co-imaginer rather than passive witness) is rich in love and treachery, honor and betrayal, humor and terror – and ingrained within it all, is a celebration of the soaring poetry and sharp wit of two of the greatest writers in the English language.

At the ground of all of this passion and intrigue is a dichotomous question: Art vs. Politics. Does the political muddy the artistic? Can art remain apolitical? Which truly can change the world? Can either? George Orwell says, “In a time of deceit telling the truth is a revolutionary act.” Our play definitely takes place in a time of deceit, a tyrannical police state where a word can condemn, where lies and hypocrisy form the structure of both faith and state. Things are, of course, much different today.

But are they? Our world is packed to the rafters with political misinformation, social media vitriol, a steep rise in book banning and anti-women and LGBTQ+ legislation, far-off war and genocide that have our country torn into rival camps, a level of wealth disparity not seen since the so-called Gilded Age – including the largest racially based wealth gap since the 60s – and a looming election in which many believe the very foundations of our democracy are on trial. … Are things really that different?

I believe that art, including poetry and drama, should always be true to itself, must never have an ulterior motive – no matter how altruistic that motive may be. However, that is not to say that art is therefore apolitical. As Marlowe tells Shakespeare in our play, art that shies away from taking a stand will never rise to great art. Art presents truth – a revolutionary act, according to Orwell. Without truth, there is no art. Without art, there is no truth. Which is exactly what makes artists as vital to our world as they were in Shakespeare’s and Marlowe’s, and as dangerous to those who thrive on lies – then and now. As Miscellaneous Jones says, “Every tyrant is a killer of poets. That should tell us something about the potential power of what we do.”

It is my hope, as it is with every piece I direct, that this play will entertain as well as challenge, that it will inspire passion as well as empathy, that it will ask questions with no easy answers, but answers that are necessary to seek out all the same. And I hope it will urge us all to take a stand against tyranny in any of its forms. After all, “The play’s the thing. Wherein [we’ll] catch the conscience of the king” – or any other wielder of power, large or small, who works against justice, who uses their platform to spread hate and lies, who seeks to silence the truthtellers of art.

~Marc Beaudin

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